Case study · Content

ZANA: from strategy to final cut.

Scripting, shoot and edit with an in-house crew and our own gear.

StatusOperating
DoesStrategy, script, shoot, edit
CrewIn-house
GearOur own
The problem

One team from idea to delivery.

Good video needs a plan, a script and a crew that works together. Splitting that across vendors loses time and quality.

ZANA covers strategy, scripting, shoot and edit with an in-house crew and its own gear.

What it does

Four jobs, done.

BriefConcept

Strategy

Decide what to make and why.

Script v2

Scripting

Words that work on camera.

Camera ACamera BAudio

Shoot

An in-house crew with its own gear.

CutGradeDeliver

Edit

Cut, graded and delivered for every channel.

Industry applications

Built for your industry.

Real estate

Property films and Off Plan

Launch films and the Off Plan interview series.

See Real estate →
Financial services

Founder interviews

Interviews and explainers, like the Off Ramp series.

See Financial services →
Hospitality

Venue and brand films

Films and shows, including the Off Hours series.

See Hospitality →
Education

Course and campus video

Programme films, interviews and lectures.

See Education →
Healthcare

Clinic and awareness films

Films that explain care and introduce teams.

See Healthcare →
SaaS and startups

Product videos

Demos, launch films and founder stories.

See SaaS and startups →
How it works

Three steps. No theatre.

01

Plan

Strategy and script.

02

Shoot

In-house crew, our own gear.

03

Edit and deliver

Final cuts for every channel.

The product

A closer look.

Questions

Straight answers.

Do you actually shoot, or do you subcontract?

We shoot. In-house crew, our own equipment. That's the whole reason the pricing and turnaround work differently from an agency reselling a production company.

Can you produce a branded show for us?

Yes, and it's the format we're most confident in. We run our own series in real estate and fintech, so the workflow is proven rather than proposed.

Can you work with footage we already have?

Yes. Existing archive footage is often the fastest route to a content library, and the clipping engine works on it the same way.

Studio or on-location?

Both, whichever suits the format. We bring our own gear either way.

What do we actually receive per episode?

A fully edited episode, a batch of short-form clips via Clip24, and the raw files if you want them.

Can you take over a podcast that already exists?

Yes, we'll look at what's already running before changing anything.

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